Richard Jankovich was working as a solitary musician for a few years when he realized his Burnside Project could use some input from other artists. The result is the Burnside Project's debut disc as a band, "The networks, the circuits, the streams, the harmonies," released by Bar None Records, a respected East Coast indie.

While the record's smart and engaging mix of indie rock and electronica is notable and alluring, what will also be on interest to Milwaukeeans is Jankovich himself. A Madison native, Jankovich lived in Milwaukee in the first half of the 1990s. During that time, he and his then-band Big Mother Gig grew a devoted following that fiercely supported the band until Jankovich headed to New York in 1996.

Jankovich, who just recently turned 30, moved away just as Big Mother Gig was falling apart, he says.

"It was literally three days after our last show. I was getting engaged and we wanted to start over somewhere else."

What he found when he arrived in New York was that there was a whole world out there that he'd never known about.

"It's amazing to me how much the milwaukee scene exists in a complete vacuum, even from the rest of the Midwest," Jankovich says. When he was living here and performing regularly with Big Mother Gig, "There was never any reason to go out of Milwaukee. It was definitely a close-knit scene. It was really depressing to play outside Milwaukee, even Chicago was always a complete bust."

Although Big Mother Gig was making strides in the scene, Jankovich couldn't see it going anywhere.

"At the time we thought we were rock stars because we'd pack The Globe. Our final show in 1996, the Onion ran a full page ad and sponsored the show. The place was sold out and we had like 10 opening bands," Jankovich remembers. "It was bizarre coming from that to here where nobody knows who I am. At the time I thought the scene was really vital and imporant. Looking back it was really depressing, the same people getting drunk all the same places. There was no community beyond drinking. Nobody ever said, 'let's do something different.'"

So, when the opportunity came to check out something else, Jankovich took it. In New York, he made a conscious effort to investigate other things, like electronica, drum and bass, trip hop, turntablism.

"I made a decision not to create another indie rock band with the traditional foursome format of drums, bass, guitar and voice. I really wanted to fuse different styles deliberately, even if they clashed."

Although you'd think they would clash, on the Burnside Project disc, they don't. In fact, the results feel almost organic, despite the technological aspect, and the album doesn't feel like a forced conglomeration of styles as much as an informed and progressive modern sound.

Although the Burnside Project is performing in support of the disc, Jankovich says they'll focus on the East Coast for now.

But he has maintained some ties with his old town, even if he doesn't stay in touch with many Milwaukee bands.

"Marc Solheim and I were really good friends before and after music. So, I keep in touch with him," says Jankovich, who also recalls his first visit back.

"I came back about a year after I left and opened for Dan Bern at The Rave and there were a lot of old Big Mother Gig fans there. Even after a year, I was so done with it and they wanted to hear Big Mother Gig. (But) I look back on (Milwaukee) with a lot of nostalgia."