| m___o___b: BlackNGold down 21-15 to Martelli's #hawks with 7:33 left til halftime. I can't get it on web stream or radio. about 5 days ago |
| By Bobby Tanzilo Managing Editor E-mail author | Author bio More articles by Bobby Tanzilo |
| Published July 21, 2006 at 11:54 a.m. |
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Having helped bring them to town last year and working with them while they were here, I got to see the Piemontese folk group Ariondassa a lot at Festa Italiana '05, so I'm excited at their return this year. Not only because they are now my friends and not only because they are all masterful musicians.
Really, it's because although I didn't appreciate traditional music much when I was younger, I've changed even though the music hasn't. And, to me, the continuity of the music is the point. When I see young music fans shaking their heads (and I have seen it) at groups whose music often dates back more than a century, I wonder if they take a moment to consider what it is they're hearing.
The music that groups like Ariondassa, Tre Martelli, La Ciapa Rusa and others in Piemonte -- and thousands more from regions all over the world -- represents centuries of threatened -- but enduring -- cultures. Some of it may sound dated to our ears, but, hey, it's still here, being played around the world. So, it ain't dead yet. And if our great-grandkids are lucky, it'll still be around for them, too.
Sure, the Beatles' music has endured 40 years, and although I think it will endure for another 100, who can say for sure? On the other hand, the traditional music that before the advent of tape was handed down from one musician to the next, has lived on because it exists for a different reason that a lot of music does today.
The composers of dance tunes worked to bring joy to themselves and to the people they lived among; people whose lives were often difficult and painful and short and for whom a small town festival was the highlight of the year. If the musicians could make a little money for their work, great. But their music wasn't created strictly with commerce in mind and I fear that too much of our music today is.
So, head down to Festa and check out Ariondassa at 3 and 6:30 p.m. on the Festa Stage and at 5 p.m. in Dominic Frinzi's Opera Tent (although the group does not play anything like opera) and think for a minute about your great-grandma and how much music like this -- at least in spirit -- meant in her life, and how much it can mean in yours.
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