The French comedy farce has become as reliable a genre as Hollywood's romantic comedy. In any given year, you know there will be at least a few of them and when the cast is good, you know they'll be, at the minimum, watchable.
"The Valet" ("La Doublure") was written and directed by Francis Veber, best known for "The Dinner Game" and "The Closet." In it, a self-made millionaire CEO, Pierre Levasseur (Daniel Auteuil, who was also in "The Closet"), is having an affair with sexy supermodel Elena Simonsen (Alice Taglioni) and they are surreptitiously photographed by a paparazzo on the street.
Pierre's wife, Christine (Kristin Scott Thomas), sees the photo and her suspicions are confirmed. Unfortunately for Pierre, she is the majority stockholder in his business and divorce for him will be a costly affair.
Thinking he can fool his wife, Pierre and his lawyer (Richard Berry) attempt to convince Christine that Elena is actually dating a third person in the photo and that the picture is misleading.
That third man is the hapless and loveless -- and not terribly attractive -- Francois Pignon (Gad Elmaleh), who works as a valet at a restaurant at the Trocadero, across the Seine from the Eiffel Tower and who shares his tiny apartment with a co-worker, the still more hapless and loveless Richard (Dany Boon).
So, Pierre pays Elena and Francois to pretend to be an unlikely couple until the storm ebbs. Elena asks for a whopping figure but vows to return it when Pierre fulfills his long-held promise to her and divorces his wife. Francois asks for a smaller amount to help Emilie (Virginie Ledoyen) -- his friend since childhood -- pay off the debts she took on when opening her dream bookshop.
Did we mention that Francois has just asked Emilie to marry him and she declined?
Of course, at this point, hijinks ensue. The press is watching Elena and Francois and Pierre has his people watching them, too. Although he set up the ruse, he's insanely jealous of his lover sharing an apartment with another man.
Best of all, Christine isn't fooled for a minute, and she's watching the couple, too, mostly for entertainment.
Will Pierre get his comeuppance? Will the unlikely couple find an unexpected spark? Will Emilie rue turning down Francois? We're not going to spoil any of the fun by telling you.
Some of the jokes are predictable, but "The Valet" is fun. It isn't deep, it isn't life changing, and it's certainly not the best example of a modern French comedy, but it's 85 minutes of good entertainment. It's rare to see a movie in which Auteuil isn't the best actor on screen, but this is an example of one. That's not to say he's not on his game, but Elmaleh, Ledoyen, Boo, Berry and Taglioni easily match him and Thomas is especially fun as the cool, calculatingly vengeful woman scorned.