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In Movies & TV
"The Reckoning" takes too long to find its focus
 
By Bobby Tanzilo RSS Feed Twitter Feed
Managing Editor

E-mail author | Author bio
More articles by Bobby Tanzilo

Published June 5, 2004 at 5:02 a.m.
Tags: reckoning, bremner, mcguigan, dafoe, medieval, unsworth

Sometimes you just want to shout at the screen: "Get to the point!"

That's definitely the case with "The Reckoning," the new film from "The Acid House" director Paul McGuigan, based on Barry Unsworth's novel "Morality Play."

More than a quarter of the two-hour film, a murder mystery set in 14th century England, is long gone by the time McGuigan and his cast get down to business. First he demands that we endure some thoroughly unnecessary scene setting (we get the same information and more from flashbacks and dialogue that come later).

In a slow-moving picture like this one, we'd love to have that 30 minutes or more back.

That said, it's hard to fault the costumes, the set design or the story, even if the dialogue occasionally enters the realm of the hackneyed and if we're expected to make some serious suspensions of disbelief throughout.

A fugitive priest (Paul Bettany) hooks up with a ragtag band of declining actors led by Martin (Willem Dafoe), who've got some pressing problems of their own, one of which being that they need another actor. Problem solved.

When they enter a town to fix their cart they stumble upon the sentencing of a deaf/mute woman who has been convicted of the latest killing in a string of murders of young boys in the town.

But did she do it? Fingers certainly point at her, but also a local monk (Ewen Bremner).

Martin decides that the company can really get back atop its game by veering from the traditional stage fodder gleaned from the Bible and staging a play about the murder (the world's first topical theater?). When the actors start asking around for details of the murder from townspeople, they begin to doubt that the accused actually committed the crime.

Can the fugitive priest put his values aside and let her die for a crime she likely didn't commit? Can the band of actors survive its revolutionary attempt to change both the theater and its own fortune at the same time? Will their investigations solve the case? Will they live to tell?

All of these questions get answered and thankfully, once the cinematic ball gets rolling, "The Reckoning" is quite engaging. But, don't rush to the theater. If you miss the first part, you won't be any worse off for it.

"The Reckoning" opens Friday, June 4 at Landmark's Downer Theatre.


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